Categories
art Pranckiewicz

Bureau against Seberg

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Bureau against Seberg 2 and Bureau against Seberg 3, photocopy collage, 2017, each approx. 83 x 116 cm

Categories
art drawing project Pranckiewicz

Formations (volcanos and sea)

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fo3

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fo2

Double layered drawings inspired by a trip to Lanzarote.

Categories
photo-object photography Pranckiewicz

The ‘Foto-object’ exhibition, Propaganda Gallery, Warsaw

Photo-Object
EXHIBITION OF PHOTOGRAPHIC OBJECTS
Curators: Leszek Golec, Jagna Olejnikowska

5-31 October 2013
Propaganda
ul. Foksal 11/1
00-372 Warszawa / Poland

Photo-object is a broad and multifaceted concept. As an alternative form of photography, due to extension of a plane spatial illusion by the real space, goes beyond a traditional concept of the photographic medium. It is characterized by uniqueness and diversity. Being closest to the field of sculpture, a photographic object may also be derived from the tradition of other fields of arts: painting, scenic design, film and photography itself. Hence, its intermediality and multifaceted nature.

Artists: Janusz Ba??dyga, Kuba B─?kowski, Jacek B─?kowski, Janusz B─?kowski, Krzysztof Bednarski, S??awomir Belina, Bo??ena Biskupska, Wojciech Bruszewski, Marek Cecula, Krzysztof Cichosz, Tomasz Ciecierski, Lucjan Demidowski, Leszek Golec, Jerzy Grzegorski, ?ü??d?? Kaliska, Jerzy Kalina, Magdalena Krajewska, Edward Krasi??ski, Jacek Kryszkowski, Henryk Ku??, Natalia LL, Katarzyna Majak, Jacek Malicki, Tomasz Matuszak, Krzysztof Morcinek, Marek Piasecki, Waldemar Pranckiewicz, Grzegorz Przyborek, Jagoda Przybylak, J??zef Robakowski, Andrzej R????ycki, Robert Rumas, Zofii Rydet, Zygmunt Rytka, Zdzis??aw S??omski, Andrzej ??wietlik, Jerzy Truszkowski, Jan St. Wojciechowski, Krzysztof Wojciechowski, Wojciech Zasadni, Joanna Zemanek.

Exhibition Partners: Centre of Polish Sculpture in Oro??sko (Centrum Rze??by Polskiej w Oro??sku), CCA Elektrownia (MCSW Elektrownia)

Exhibition in the frame of Warsaw Photo Days: warsawphotodays.com

Adam Sobota’s essay in the catalogue Wersja polska (tekst+foto) | English version (PDF)

Below: Waldemar Pranckiewicz, Too complex to determine (Extracts about dreams from: David Foster Wallace’s ‘Infinite Jest’), print on silk, a rack, 2012

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Categories
Dreamwave French Riviera Pranckiewicz Spoken dream

“Then No 4” on the gallery answerphone

Please wait while we contact your bank #6:

Waldemar Pranckiewicz – Then No 4

Sixth in a series of sound art commissions for the gallery answerphone

Call the French Riviera on 020 7729 8000 to listen, throughout December

Categories
artist's book Beata Bartecka Krzysztof Solarewicz Lukasz Rusznica Pranckiewicz Werke

Biology Chemistry Physics publication

The Biology Chemistry Physics’ publication – PDF [7 MB]

Categories
essays & reviews Pranckiewicz

Waldemar Pranckiewicz – Essays & Reviews – Archive

  • 2012

FONTANNA. Niezwyk??a lepkko??─? gliny Tekst do wystawy grupowej, CRP Oro??sko, 10.2012
ZAPARKOWANE RZE?ÜBY [PDF] Tekst o wystawie Bold Tendencies. Arty??ci: Mary Redmond, Sarah Cain, Peles Empire (Katharina Stoever, Barbara Wolff), Carter Mull, Laura Buckley i Martin Westwood, 08.2012

  • 2011

ROZWA??MY PRZYPADEK.. Esej w: ?üukasz Rusznica & Thomas Schostok, Najwa??nieszego i tak Wam nie powiem, 2012

  • 2010

RELACJE SZTUKI DO RZEMIOS?üA [PDF] Recenzja z wystawy Unto This Last w galerii Raven Row, 2010, Arty??ci: Thomas Bayrle, Sarah Browne, Andrea B??ttner, Alice Channer, Isabelle Cornaro, Dewar & Gicquel, Pernille Kapper Williams, B─?la Kol????ov??. 08.2012
MATERIA CIEMNO??CI [PDF] Esej o ciemno??ci w rze??bie. Omawiani arty??ci: Miros??aw Ba??ka, Martin Kippenberger, Felix Gonzalez-Torres, Anish Kapoor, James Turrell, Miko??aj Smoczy??ski. 05.2012

  • 2009

ALTERMODERNISTYCZNE ZR????NICOWANIA, [PDF] Recenzja z Altermodern: Tate Triennale w 2009 roku napisana jako Farfocle. Om??wieni arty??ci: Marcus Coates, Simon Starling, Rachel Harrison, Mattew Darbyshire, Gustav Metzger i Loris Gr?Őaud.

NOTATKI I PRZEMY??LENIA Wybrane prezentacje w ramach 53. Weneckiego Biennale [PDF] Min. omawiani s─?: Tony Conrad, Roberto Cuoghi, ??yvind Fahlstr??m, grupa Gutai, Roman Ond??k, Shaun Gladwell, Vernon Ah Kee, Tarlan Gorchu i Khatt Art Group, Ragnar Kjartansson, Emily Jacir.

INFRASTRUKTURA W TRANZYCIE, Koncepcje pierwszego Biennale Brukselskiego [PDF] Arty??ci: Jeronimo Voss, Annette Kelm, Silke Wagner, Mounir Fatmi, Renzo Martens, Els Opsomer, Vaast Colson, Paul Otlet, Luc Deleu, Gordon Matta-Clarka. 01.2009

  • 2008

MENTALNY SZOK Wsp????czesna galeria jako brzuch wieloryba [PDF] Arty??ci: Paul McCarthy, Elmgreen & Dragset, Aernout Mik, Ernesto Neto, Rachel Whiteread, Tomas Saraceno. 04.2008

PUNKTY ODNIESIE??, POZIOMY ZACZEPIE?? [PDF] Esej o rze??bie wisz─?cej. Arty??ci: Francisca Aninat, Alexander Calder, Gordona Matta-Clarka, H?Őlio Oiticica, Dami??n Ortega, Joseph Beuys, Maurizio Cattelan, Sarah Sze, Jason Rhoades, Matthew Barney, Eva Hesse, Louise Bourgeois. 10.2008

  • 2006

BOHATER WIELOKIERUNKOWYCH RELACJI [PDF] Profil Martina Kippenbergera. 05.2006

Categories
Pranckiewicz

Waldemar Pranckiewicz – In two places simultaneously

Waldemar Pranckiewicz
In two places simultaneously
5-28.10.2012

BWA Gallery, Zielona G??ra, Poland

The exhibition In two places simultaneously has a main theme of the dream as a dual state. Sleeping and dreaming allows us to be in two places at once: in a place where our body is physically asleep and in the space of dreams. On the show are photographs made over the last few years, a series of portraits of people sleeping on the streets, on trains and at homes. All images were made spontaneously and without prior arrangements.

Integral part of the show are conceptual variations of three works of twentieth century art, successively by Duchamp, Warhol and Calder, additionally quotes from the novel by David Foster Wallace’s ‘Infinite Jest’ are incorporated into the silk printout. A geometry textbook in Marcel Duchamp’s ‘Unhappy Readymade’ (1919) will be replaced with an introduction to quantum physics, and the book will be mounted outside of the gallery, so that quantum formulations will fully experience a wide range of weather conditions. Andy Warhol’s film ‘Sleep’ from 1963 is the inspiration for the eight hours sound recording of sleep, installed in a purple mosquito net, suspended from the ceiling (one of Warhol’s unrealized projects was the idea to film 24 hours in the life of Duchamp). Another hanging piece is a wire sculpture incorporating a variety of the hour and minute hands, this work is inspired by Alexander CalderÔ??s mobiles (the mobile term was introduced by Duchamp around 1931). Quotes from the novel by David Foster Wallace deal with sensations inside of dreams and feelings while awaken. Texts and images in this work are printed on silk and are presented as a sculpture.

Publication related to the exhibition will be out by end of the year.

Waldemar Pranckiewicz Born in 1972. He works with photography, sculpture, drawing, collage and ephemeral art. Other preoccupations include designing publications and writing articles on contemporary art.

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^ Main entrance to the gallery. On the front of the relief (by Marian Szpakowski, 1965) : Waldemar Pranckiewicz, Does happen, an introduction to quantum physics hanged on a wire, 2012.

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^ Waldemar Pranckiewicz, Does happen, an introduction to quantum physics hanged on a wire, 2012.

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^ Waldemar Pranckiewicz, Time slowed and twisted, a mobile made of wood, wire, hour and minute hands, 2012

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^ Waldemar Pranckiewicz, Time slowed and twisted, detail

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^ Front: Waldemar Pranckiewicz, Too complex to determine, text and image printed on a silk, a rack, 2012 Background: Waldemar Pranckiewicz, Sleeper in Holborn, 2008, Sleeper in The Mall, 2008

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^ Waldemar Pranckiewicz, Sleeper in Holborn, 2008 Sleeper in The Mall, 2008

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^ Too complex to determine. 4 photographs for the Sleep series.

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^ Waldemar Pranckiewicz, Sleep series

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^ Top from left: Jasmin sleeping in George Tavern, 2010 Shoes & Jasmin, 2010
Bottom from left: Couple sleeping in the park, 2010 Fats sleeping on the train, 2008

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^ Waldemar Pranckiewicz, Blue dream, c-print, 2011, 24.6 x 19.5 cm

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^ Blue dream

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^ Front: Waldemar Pranckiewicz, Too complex to determine, text and image printed on a silk, a rack, 2012 Background: Waldemar Pranckiewicz, 8 hour sleep, a mosquito net, 2 speakers, a sound recording of sleep, 2012

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^ Waldemar Pranckiewicz, 8 hour sleep, a mosquito net, 2 speakers, a sound recording of sleep, 2012

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Categories
Graffiti w Polsce Pranckiewicz

Graffiti w Polsce 1940Ô??2010

Graffiti w Polsce 1940Ô??2010 to “album, [kt??ry] zawiera unikatowy materia?? zdj─?ciowy, przybli??a sylwetki najciekawszych polskich tw??rc??w nurtu balansuj─?cego mi─?dzy spontaniczn─?, cz─?sto nielegaln─? obecno??ci─? w przestrzeni publicznej a dzia??alno??ci─? prowadzon─? z du??ym rozmachem, pod patronatem muze??w i galerii sztuki.”

W publikacji min.: Waldemar Pranckiewicz, You create me, 1998.

Podgladowa rozk??ad??wka o projekcie You create me tutaj .

Graffiti w Polsce 1940Ô??2010
Publikacja pod redakcj─? Tomasza Sikorskiego i Marcina Rutkiewicza
27 na 21 cm, 272 strony, blisko 500 zdj─?─?, oprawa twarda
Wydawnictwo Carta Blanca (Grupa PWN)
ISBN 978-83-7705-140-5

Wi─?cej informacji o publikacji na specjalnym blogu.
Categories
Artwork Z

Artwork Z

Artwork Z – Project about lost / damaged / neglected / forgotten and vanishing artworks [English working title]
Coordination: Waldemar Pranckiewicz

The project undermines the general notion that artworks left unwatched last forever and then suddenly rediscovered can be put on a pedestal or the museum wall in a full glory. The process of disintegration is a part of every artwork; in addition, every piece or series is involved in a very specific set of circumstances and conditions.

The main objective of the project is to show different patterns and scenarios of disappearances, destructions or neglects happen to various types of art. Following situations will be taken into account: unintentional accidents, simulated destructions, cases of disappearances, ideological interventions, institutional and individual negligence. The project will also investigate the issue of storage and archiving of artworks.

The result of the study will be published and additionally a series of visual works will be made.

List of artists and cases related to the subject (last update – Feb 2012).

  • Iconoclasm in ancient and modern art, one of recent examples: destruction of the Bamiyan Buddha statues in Afghanistan in 2001.
  • Loss and damage caused by armed conflicts and war looting, cases of following artists: Katarzyna Kobro, Gustav Klimt.
  • The strategy of destruction as a way of articulation (including the use of the process of degradation),┬á cases of following artists: Robert Rauschenberg, Dieter Roth, Gordon Matta-Clark, Martin Kippenberger, Monika Sosnowska, Zbigniew Libera, Tomasz Sikorski, Hollis Frampton, Adam Marczynski, Wolf Vostell (D?Őcollage), Gustav Metzger, Destruction in Art Symposium in London, 1966.
  • Accidents and disasters and their effect on art, cases of following artists: Marcel Duchamp, Bas Jan Ader, fires, floods.
  • Deliberate destructions, unintentional damage and negligence towards art, cases of following artists: Jacob Epstein, Naum Gabo, Martin Kippenberger, Kijewski/Kocur, Zbigniew Libera, Richard Serra, Alexander Rodchenko, Waldemar Pranckiewicz, Richard Prince.

Suggestions are very welcome. Please contact via e-mail: prancek@go2.pl
I am very interested in written and visual materials related to the subject; I am open to meet in person, talk over the phone or the Internet if necessary.

BIBLOGRAPHY

– Gamboni, Dario, The Destruction of Art, Iconoclasm and Vandalism since the French Revolution, Reaktion Books, 1997

– Failure, edited by Lisa Le Feuvre, Documents of Contemporary Art series, Whitechapel Gallery and The MIT Press, 2011

– Stiles, Kristine, The Story of the Destruction in Art Symposium and the Ô??DIAS affectÔ?Ł. Published in Sabina Breitwieser, ed., Gustav Metzger. Geschichte Geschichte (Vienna & Ostfildern-Ruit: Generali Foundation and Hatje Cantz Verlag, 2005). p. 41-65.

– Katarzyna Kobro 1898 Ô?? 1951, Henry Moor Institute, Leeds, 1999

Categories
Z

Z

Z – Projekt o pracach Zaginionych/Zniszczonych/Zaniedbanych a tak??e Zapomnianych i Znikaj─?cych [Tytu?? roboczy]
Koordynacja: Waldemar Pranckiewicz

Projekt dotyczy odczarowania powszechnego mniemania o sztuce jako wytworach, kt??re pozostawione same sobie, trwaj─? wieki, po czym kupione, podarowane lub odkryte na nowo trafiaj─? na piedesta?? lub sale muzealne. Proces rozpadu jest cz─???ci─? ka??dej pracy, a dodatkowo ka??da realizacja lub grupa prac jest uwik??ana w specyficzne uk??ady si?? i relacji.

G????wnym celem projektu jest ukazanie r????nych wzor??w/scenariuszy zagini─?─?, zniszcze?? czy og??lnie poj─?tych zaniedba??. Sytuacje brane pod uwag─? to: nieumy??lne wypadki, symulowane zniszczenia, przypadki zagini─?─? i zwi─?zane z tym okoliczno??ci, ideologiczne interwencje, instytucjonalne i indywidualne zaniedbania. Projekt b─?dzie tak??e porusza?? kwesti─? przechowywania i archiwizacji prac artystycznych.

Rezultatem badania b─?dzie publikacja ksi─???kowa oraz nie wykluczone, i?? seria prac wizualnych.

Omawiani arty??ci i przypadki/zjawiska/prace. Zestaw uaktualniany – Luty 2012.

  • Ikonoklazm, dawny i wsp????czesny, np. zniszczenie pos─?g??w Buddy w Bamianie w 2001 roku.
  • Zagini─?cia/zniszczenia spowodowane konfliktami zbrojnymi, Katarzyna Kobro, Gustav Klimt, wojenne grabie??e.
  • Strategia niszczenia jako spos??b artykulacji (tak??e u??ycia procesu degradacji), min. Robert Rauschenberg, Dieter Roth, Gordon Matta-Clark, Martin Kippenberger, Monika Sosnowska, Zbigniew Libera, Tomasz Sikorski, Hollis Frampton, Adam Marczy??ski, Wolf Vostell (D?Őcollage), Gustav Metzger, arty??ci uczestnicz─?cy w sympozjum Destruction in Art, London, 1966.
  • Wypadki i katastrofy, min. Marcel Duchamp, Bas Jan Ader, po??ary, powodzie.
  • ??wiadome/nie??wiadome zniszczenia i zaniedbania, min. Jacob Epstein, Naum Gabo, Martin Kippenberger, Kijewski/Kocur, Zbigniew Libera, Richard Serra, Alexander Rodchenko, Waldemar Pranckiewicz, Richard Prince, Tomasz Sikorski.

W przypadku zainteresowania projektem i ew. sugestiami poprosz─? o kontakt pisemny: prancek@go2.pl
Interesuj─? mnie zwi─?zane z tematem materia??y tekstowe i wizualne, jestem otwarty na spotkania, rozmowy telefoniczne lub przez Internet.

BIBLIOGRAFIA

– Gamboni, Dario, The Destruction of Art, Iconoclasm and Vandalism since the French Revolution, Reaktion Books, 1997

– Failure, edited by Lisa Le Feuvre, Documents of Contemporary Art series, Whitechapel Gallery and The MIT Press, 2011

– Stiles, Kristine, The Story of the Destruction in Art Symposium and the Ô??DIAS affectÔ?Ł. Published in Sabina Breitwieser, ed., Gustav Metzger. Geschichte Geschichte (Vienna & Ostfildern-Ruit: Generali Foundation and Hatje Cantz Verlag, 2005). p. 41-65.

– Katarzyna Kobro 1898 Ô?? 1951, Henry Moor Institute, Leeds, 1999